CFP: Acta Academiae Artium Vilnensis issue:
Art beyond the Politics: Africa and the ‘Other’ Europe during the Cold War (working title)
The peer-reviewed journal Acta Academiae Artium Vilnensis calls for papers to be published in the 107th volume at the beginning of 2024. The issue is devoted to transcontinental cultural relations, representations, and imaginations that occurred and developed between the countries of Africa and Eastern and Central Europe during the Cold War era.
We would like to invite scholars, curators andartists working in the fields of art history, cultural studies, art, architecture, design, fashion,cinema and theatre, musicology, literary studies and other disciplines to explore the formationof cultural relations between the regionsor particular states.
The countries of Central and Eastern Europe (CEE) engaged substantively with many newly independent African states for economic, political, ideological and cultural purposes during the Cold War. They were well regarded by African countries because of their non-imperial history and the refore alternative partnership approach. CEE countries provided support to liberation struggles, as well as offered large amounts of technical assistance and loans to partners in Africa. They developed new forms of global knowledge and institutions to support a wide-ranging program of socialist ‘export’: theatre and film, economic and scientific expertise, humanitarian aid and political ideals - all were essential to the grand effort to extend ‘socialist modernity’ globally. This also in return reshaped Central-Eastern Europe, as African students, workers and exiles imported African cultures into the region, alongside popular media, art, and political solidarity movements.
The links between Central-Eastern Europe and Africa suggest the importance of examining this still unconventional perspective on the configuration of the Cold War, which is traditionally viewed as centring around superpower rivalries. In contrast to the Western vision of one homogenous ‘Soviet bloc‘, the view from the Global South reveals evolving motivations and sometimes contradictory aims of artistic mobilities from socialist countries, whether East Germany, the Soviet Union (including the Baltic States), Poland, Hungary, Yugoslavia, and Bulgaria, among others.
The cultural geography of the Cold War was inevitably shaped by a network of links between the Soviet and the US spheres under the new era of decolonization. A new expanding language of socialist ‘fraternity‘ across continents facilitated this exchange of cultures. Africa occupied the imagination of some CEE artists and writers as a way to escape one’s poor socialist reality and enter a new, open, and intriguing world. For many CEE citizens, Africa encapsulated the world outside the Soviet bloc, differing from it in almost every respect. Many saw it both as a chance for self-realisation and as prospects for some tangible financial gains.
This journal issue aims to fill the lacuna of knowledge about both the actual and imaginary cultural links between Central-Eastern Europe and the African continent during the Cold War era. It proposes a reconsideration of whether and to what extent artistic exchanges between these non-Western contexts might escape historically developed power relations between Europe and Africa and its role in postcolonial and decolonial debates. Since neither Africa nor Central and Eastern Europe are homogenous and consist of countries with different historical and cultural backgrounds and contemporary realities, we especially invite the discussion of possible theoretical frameworks and research methodologies that overcome the objectification of Africa and/or Central Eastern Europe.
Potential topics include, but are not limited to:
1. The discourse of colonisation/decolonisation/postcolonisation in art, art history and cultural history: African and CEE perspectives.
2. Transcontinental cultural relations, migration of artists, artworks, artefacts and ideas.
3. The images, dreams, and delusions of CEE in African countries.
4. The representation and reception of Africa in CEE countries.
5. Soviet Union/US struggle for influence in Africa: reflections, connections, parallels and contrasts in art, design and architecture.
6. Members of the Black diaspora as ambassadors of modernisation in CEE.
7. The process of ‘othering’ and cultural appropriations of African/CEE cultures.
8. Issues of whiteness and race in CEE.
9. Curating African art collections in CEE museums.
10. Artworks of CEE artists, designers and architects in Africa: heritage, research, curatorship.
Papers will be published in English or Lithuanian languages. All papers will be evaluated by two peer-reviewers and, when published, included in the SCOPUS and EBSCO Publishing databases. For more information regarding the journal and its submission guidelines see: https://www.vda.lt/en/institute-of-art-research/acta-academiae-artium-vilnensis
Please send short abstracts for articles (up to 300 words) and authors’ bios (up to 200 words) by the 10th of October 2022 to firstname.lastname@example.org
The authors of selected (and not selected) papers will be informed by the 10th of November 2022.
The deadline for full papers is the 30th of March 2023.